العنوان: مَدَارُ الطُمأنينَة : "يستكشف هذا العمل مفهوم 'المركزية الروحية' من خلال عدسة التجريد الحركي. الكعبة هنا ليست مجرد بناء، بل هي 'أرضية روحية' ثابتة ينصهر حولها الزمن والبشر. اخترت استخدام تقنية التعريض الطويل لأحول حركة الطائفين إلى فيض ضوئي أبيض، يرمز إلى تجرد الأرواح من ماديّتها وهوياتها الفردية لتصبح جزءاً من تيار كوني واحد. إنها محاولة لتجسيد لحظة يتقاطع فيها السكون المطلق مع الحركة الأبدية." Title: The Orbit of Serenity "This work explores the concept of 'Spiritual Centrality' through the lens of kinetic abstraction. Here, the Kaaba is not merely a structure, but a fixed 'spiritual earthwork' around which time and humanity dissolve. By utilizing long-exposure photography, I have transformed the movement of the pilgrims into a fluid stream of light, symbolizing the shedding of material identity as souls merge into a single cosmic current. It is an attempt to capture the moment where absolute stillness intersects with eternal motion."
| Category: | Photography |
|---|---|
| Qty: | 1 |
| Size: | 90 * 70 * 3 |
| Framed: | Yes |
| Edition: | Coollect |
| Country: | Yemen |
| Shipping from: | Saudi Arabia |
Yemen
Arif Al Nomay
Arif Al-Nomay was born in Ibb, Yemen in 1970. He enrolled in school at the age of twelve when the first school in his area opened. He moved to Abha in the Kingdom of Saudi Arabia at the end of 1989, where he worked in a photography studio. During this period, he became friends with a group of artists who had formed a radical collective at Abha’s Al Meftaha Arts Village. That artists' collective, which called itself Shatta ‘to be broken apart’, included Ahmed Mater, Ashraf Fayadh, and Abdulnasser Gharem, that established a movement that changed the Saudi art scene forever.
